{"title":"Hideyuki Sato","description":"\u003cp\u003eHideyuki Sato, born in 1977 in Iwaki, Fukushima, is a third-generation Kokeshi kōjin. His workshop, \u003cstrong\u003eKijidokoro Sato\u003c\/strong\u003e, was founded by his grandfather in 1901. After graduating from university and spending two years in the trading business, he returned to his family’s tradition at the age of 24. He creates Kokeshi in the fullest sense of the craft: from cutting and preparing the wood to turning, brushwork and sales — every step remains in one pair of hands, and within one family.\u003c\/p\u003e","products":[{"product_id":"st-kend3","title":"Daruma Kendama – Yajiro Tradition","description":"\u003cp\u003eA Daruma Kendama that is both playing object and lucky charm. Kijidokoro Sato, rooted in the Yajiro region since the Meiji era, brings two craft traditions together in a single object.\u003c\/p\u003e\n\u003cp\u003eThe ken – the heart of the kendama – is shaped as a Kokeshi body in the Yajiro style: rich red, black Rokuro-Moyo lines, conical and precisely turned. The base cup carries an additional Daruma motif – a quiet repetition of the theme that runs through the entire piece. The two sakazuki are left natural: pale wood as a deliberate contrast to the luminous red.\u003c\/p\u003e\n\u003cp\u003eThe tama – the ball – shows a fully painted Daruma face. Dominant red, strong black eyebrows, a bushy moustache and flushed cheeks. At the centre is the character 福 – fuku, good fortune – in gold. The gaze is weighty and focused. No smile. Only composure.\u003c\/p\u003e\n\u003cp\u003eIn Japanese culture, Daruma symbolises perseverance, willpower and the ability to rise again after every fall – qualities that also define kendama play. The kendama falls. The Daruma stands up again.\u003c\/p\u003e\n\u003cp\u003eThe kendama fully conforms to the Competition Size established by the Japan Kendama Association (JKA). This makes it suitable not only as a collector’s piece, but also for advanced players who value professional proportions and balance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDaruma Kendama in the Yajiro tradition\u003c\/li\u003e\n  \u003cli\u003eKen as a Kokeshi body: red Rokuro-Moyo turning, Daruma motif on the base cup\u003c\/li\u003e\n  \u003cli\u003eTama as a Daruma head: 福 character in gold, Yajiro painting\u003c\/li\u003e\n  \u003cli\u003eNatural sakazuki – Mizuki wood with visible grain\u003c\/li\u003e\n  \u003cli\u003eCompetition Size according to JKA standards\u003c\/li\u003e\n  \u003cli\u003eHand-turned and hand-painted – by Kijidokoro Sato, Miyagi\u003c\/li\u003e\n  \u003cli\u003eSigned by the artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n  \u003cdt\u003eKen height\u003c\/dt\u003e\n  \u003cdd\u003e160 mm\u003c\/dd\u003e\n  \u003cdt\u003eTama diameter\u003c\/dt\u003e\n  \u003cdd\u003e60 mm\u003c\/dd\u003e\n  \u003cdt\u003eSarado width\u003c\/dt\u003e\n  \u003cdd\u003e70 mm\u003c\/dd\u003e\n  \u003cdt\u003eBig cup inner diameter\u003c\/dt\u003e\n  \u003cdd\u003e40 mm\u003c\/dd\u003e\n  \u003cdt\u003eSmall cup inner diameter\u003c\/dt\u003e\n  \u003cdd\u003e36 mm\u003c\/dd\u003e\n  \u003cdt\u003eBase cup inner diameter\u003c\/dt\u003e\n  \u003cdd\u003e34 mm\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"Hideyuki Sato | 佐藤英之","offers":[{"title":"Default Title","offer_id":64775118029149,"sku":"ST-KEND3","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/files\/st-kend3_cover.png?v=1779711338"},{"product_id":"st-kend4","title":"Kokeshi Kendama – Camellia Motif – Yajiro Tradition","description":"\u003cp\u003eRed, green, purple – and the natural wood beneath. For this kendama, Hideyuki Sato chooses a colour language rarely seen in the Yajiro tradition.\u003c\/p\u003e\n\u003cp\u003eThe ken – the heart of the kendama – is shaped as a Kokeshi body in the Yajiro style. The Rokuro-Moyo pattern in red, green and purple runs across the conical body in fine, calm lines – a delicate palette that allows the natural Mizuki wood to show through. The two sakazuki are left natural. The base cup carries a hand-painted tsubaki motif – the camellia in red with green leaves, framed by a purple line. No unnecessary stroke. No gesture without intent.\u003c\/p\u003e\n\u003cp\u003eThe tama – the ball – is designed as a Kokeshi head. Gentle Hitoe-Mabuta eyes, the faintest suggestion of a mouth, red cheeks and red decorative blossoms along the hairline. The black hair crown ends in green at the top. The expression: quiet, inward-looking.\u003c\/p\u003e\n\u003cp\u003eThe kendama fully conforms to the Competition Size established by the Japan Kendama Association (JKA). This makes it suitable not only as a collector’s piece, but also for advanced players who value professional proportions and balance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eKokeshi Kendama in the Yajiro tradition\u003c\/li\u003e\n  \u003cli\u003eKen as a Kokeshi body: Rokuro-Moyo turning in red, green and purple\u003c\/li\u003e\n  \u003cli\u003eTsubaki motif on the base cup: hand-painted in red and green\u003c\/li\u003e\n  \u003cli\u003eTama as a Kokeshi head: Hitoe-Mabuta eyes, Yajiro hair crown\u003c\/li\u003e\n  \u003cli\u003eNatural sakazuki – Mizuki wood with visible grain\u003c\/li\u003e\n  \u003cli\u003eCompetition Size according to JKA standards\u003c\/li\u003e\n  \u003cli\u003eHand-turned and hand-painted – by Hideyuki Sato\u003c\/li\u003e\n  \u003cli\u003eSigned by the artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n  \u003cdt\u003eKen height\u003c\/dt\u003e\n  \u003cdd\u003e160 mm\u003c\/dd\u003e\n  \u003cdt\u003eTama diameter\u003c\/dt\u003e\n  \u003cdd\u003e60 mm\u003c\/dd\u003e\n  \u003cdt\u003eSarado width\u003c\/dt\u003e\n  \u003cdd\u003e70 mm\u003c\/dd\u003e\n  \u003cdt\u003eBig cup inner diameter\u003c\/dt\u003e\n  \u003cdd\u003e40 mm\u003c\/dd\u003e\n  \u003cdt\u003eSmall cup inner diameter\u003c\/dt\u003e\n  \u003cdd\u003e36 mm\u003c\/dd\u003e\n  \u003cdt\u003eBase cup inner diameter\u003c\/dt\u003e\n  \u003cdd\u003e34 mm\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"Hideyuki Sato | 佐藤英之","offers":[{"title":"Default Title","offer_id":64775118061917,"sku":"ST-KEND4","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/files\/st-kend4_cover.webp?v=1780155502"},{"product_id":"st-yllw","title":"Gara-iri Kokeshi – Yajiro Tradition | 27 cm","description":"\u003cp\u003eEvery detail of this Kokeshi bears the hand of Kijidokoro Sato, a workshop with more than 120 years of history in the heart of the Yajiro region in Miyagi. Hidden inside the head are adzuki beans: when moved, they create a soft, dry rattle. In Japan, they have been regarded for centuries as a symbol of good fortune, used at births, weddings and festivals. This construction is called \u003cem\u003egara-iri\u003c\/em\u003e – sound as a fourth dimension.\u003c\/p\u003e\n\u003cp\u003eHideyuki Sato himself describes this piece as an old-style Kokeshi – a deliberate reference to the Oriki period, that early phase of the Yajiro tradition from which the ochre-yellow body with patterned painting originates. No modern intervention, no reinvention, but the return to a form that existed before it had a name.\u003c\/p\u003e\n\u003cp\u003eThe ochre-yellow body carries a firebird motif in red and black, its feathers unfolding from the neck to the base. The same flame shape returns in the hair and on the cheeks of the face. Head and body become a closed pictorial circle. The round head has gentle eyes, rosy cheeks and a small mouth. The black hair crown is finished with red flame accents.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eGara-iri: adzuki-bean rattle inside the head\u003c\/li\u003e\n  \u003cli\u003eYajiro style, Oriki period: ochre-yellow body with firebird motif\u003c\/li\u003e\n  \u003cli\u003eHand-turned and hand-painted – by Kijidokoro Sato, Miyagi\u003c\/li\u003e\n  \u003cli\u003eWood: Mizuki (dogwood)\u003c\/li\u003e\n  \u003cli\u003eSigned by the artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n  \u003cdt\u003eHeight\u003c\/dt\u003e\n  \u003cdd\u003eapprox. 27 cm\u003c\/dd\u003e\n  \u003cdt\u003eDiameter\u003c\/dt\u003e\n  \u003cdd\u003eapprox. 9 cm\u003c\/dd\u003e\n  \u003cdt\u003eOrigin\u003c\/dt\u003e\n  \u003cdd\u003eMiyagi, Japan\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"Hideyuki Sato | 佐藤英之","offers":[{"title":"Default Title","offer_id":64783830286685,"sku":"ST-YLLW","price":147.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/files\/st-yllw_cover2.png?v=1780155089"},{"product_id":"st-migom","title":"Migomori Kokeshi – Yajiro Tradition | 14 cm","description":"\u003cp\u003eHideyuki Sato is a third-generation koujin: wood selection, drying, turning, painting and distribution have been in one hand, in one family, since 1901. This Kokeshi carries its name in the most literal sense: inside the figure is a baby Kokeshi – embedded, protected, quietly present. Migomori. Guarding the body.\u003c\/p\u003e\n\u003cp\u003eThis special form has its own name: Ireko. The Japanese word refers to nesting and fitting one thing inside another. A Kokeshi that contains another within itself. Not a trick, not a gimmick – but a craft principle that demands precision: both parts must fit without sticking and without rattling.\u003c\/p\u003e\n\u003cp\u003eSato works in the Yajiro tradition: a slender, conical body, stable stance and the characteristic Rokuro-Moyo pattern that wraps the body in dense lines of red, green and black. At the centre of the body is a hand-painted tsubaki motif – the camellia in rich red, with green leaves and a yellow stamen.\u003c\/p\u003e\n\u003cp\u003eThe round head has expressive Hitoe-Mabuta eyes with black eyelash accents, red cheeks and a small mouth. The black hair crown is finished with red decorative blossoms along the hairline – a hallmark of the Yajiro tradition.\u003c\/p\u003e\n\u003cp\u003eThe upper part of the figure can be removed. Beneath it: a baby Kokeshi. Mother and child, outside and inside – the piece holds both together without explaining them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMigomori Kokeshi with baby Kokeshi inside (Ireko construction)\u003c\/li\u003e\n\u003cli\u003eYajiro style: Rokuro-Moyo turning, tsubaki motif, Hitoe-Mabuta eyes\u003c\/li\u003e\n\u003cli\u003eHand-turned and hand-painted – by Kijidokoro Sato, Miyagi\u003c\/li\u003e\n\u003cli\u003eWood: Mizuki (dogwood)\u003c\/li\u003e\n\u003cli\u003eSigned by the artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003eHeight\u003c\/dt\u003e\n\u003cdd\u003eapprox. 14 cm\u003c\/dd\u003e\n\u003cdt\u003eDiameter\u003c\/dt\u003e\n\u003cdd\u003eapprox. 5 cm\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003eWith Ireko Kokeshi, the fitted closure may become tighter or harder to move due to humidity and the natural swelling of the wood – this is not a flaw, but part of the nature of the material. Please handle with appropriate care.\u003c\/p\u003e","brand":"Hideyuki Sato | 佐藤英之","offers":[{"title":"Default Title","offer_id":64784090464605,"sku":"ST-MIGOM","price":111.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/files\/st-migom_cover1.jpg?v=1779708866"},{"product_id":"st-brfuss","title":"Kokeshi – Yajiro Tradition | 27 cm","description":"\u003cp\u003eKijidokoro Sato has stood in the heart of the Yajiro region, Miyagi, for more than 120 years. Hideyuki Sato-san is a third-generation koujin: from cutting the wood to turning, painting and distribution, he masters every step without division of labour. It is one of the few family workshops in Tōhoku where four members work together at the lathe.\u003c\/p\u003e\n\u003cp\u003eThis Kokeshi shows a large, round head on a slender, cylindrical body with a slightly flared base. The body is completely covered with horizontal Rokuro-Moyo bands in red, green and black: precise and dense, built up layer by layer on the lathe. The base glows in warm ochre. The face has finely drawn eyes, red cheek accents and a restrained smile: quiet dignity, not sentiment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYajiro style: classic Rokuro-Moyo in red, green and black\u003c\/li\u003e\n\u003cli\u003eHand-turned and hand-painted – by Kijidokoro Sato, Miyagi\u003c\/li\u003e\n\u003cli\u003eWood: Mizuki (dogwood)\u003c\/li\u003e\n\u003cli\u003eSigned by the artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003eHeight\u003c\/dt\u003e\n\u003cdd\u003eapprox. 27 cm\u003c\/dd\u003e\n\u003cdt\u003eDiameter\u003c\/dt\u003e\n\u003cdd\u003eapprox. 9 cm\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"Hideyuki Sato | 佐藤英之","offers":[{"title":"Default Title","offer_id":64784142369117,"sku":"ST-BRFUSS","price":130.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/files\/st-brfuss_cover.png?v=1779710729"},{"product_id":"st-ejikogr1","title":"Ejiko Kokeshi – Rokuro-Moyo Pattern – Yajiro Tradition","description":"\u003cp\u003eA baby sits in its basket – sheltered, still, almost hidden. The Ejiko form, originally inspired by the wooden carrying baskets in which children in the Tōhoku region were placed during fieldwork, is here reduced to its emotional essence: protection, warmth and security. This Kokeshi variant has long been regarded as an expression of maternal care – and Hideyuki Sato carries this tradition forward in its purest form.\u003c\/p\u003e\n\u003cp\u003eThe basket needs no motif. Broad, saturated Rokuro-Moyo lines in black, dark green, red and orange encircle the entire basket from top to bottom – bold, rhythmic, almost textile-like. No natural wood remains visible. Seen from above, the basket reveals its second face: concentric rings in dark green, orange and red, with the opening in orange and fine lines. The Rokuro-Moyo principle in its purest form.\u003c\/p\u003e\n\u003cp\u003eInside sits the Kokeshi figure: a round head, closed eyes in Fuse-me style, a delicate smile and red cheeks. The black hair crown is decorated with red ornamental blossoms and side strands of hair. From above: matt black, a Rokuro-Moyo circle in red and green, and a white dot at the centre. The baby sits like a quiet point within a loud sentence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEjiko Kokeshi in the Yajiro tradition\u003c\/li\u003e\n  \u003cli\u003eBasket: pure Rokuro-Moyo in black, dark green, red and orange\u003c\/li\u003e\n  \u003cli\u003eKokeshi figure: Fuse-me eyes, Yajiro hair crown with red ornamental blossoms\u003c\/li\u003e\n  \u003cli\u003eHair crown: matt black with a Rokuro-Moyo circle in red and green\u003c\/li\u003e\n  \u003cli\u003eTurned and painted by hand – by Hideyuki Sato\u003c\/li\u003e\n  \u003cli\u003eSigned by the artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n  \u003cdt\u003eHeight\u003c\/dt\u003e\n  \u003cdd\u003eapprox. 7 cm\u003c\/dd\u003e\n  \u003cdt\u003eDiameter\u003c\/dt\u003e\n  \u003cdd\u003eapprox. 7 cm\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"Hideyuki Sato | 佐藤英之","offers":[{"title":"Default Title","offer_id":64784826696029,"sku":"ST-EJIKOGR1","price":89.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/files\/hs-ejiko1-cover.png?v=1779783628"},{"product_id":"st-ejikogr2","title":"Ejiko-Kokeshi Nemuri – Ume – Yajiro Tradition","description":"\u003cp\u003eA baby rests in its basket – sheltered, still, barely visible. The Ejiko form, originally inspired by the wooden carrying baskets in which children of the Tōhoku region were cradled during fieldwork, is here reduced to its emotional essence: protection, warmth, and a sense of being held. This Kokeshi variant has long been regarded as an expression of maternal care – and Hideyuki Sato carries that tradition forward with a handwriting entirely his own.\u003c\/p\u003e\n\n\u003cp\u003eThe basket shows natural wood as its base tone – warm, unhurried. Horizontal Rokuro-Moyo bands in yellow, orange, red, and green articulate the outer wall in steady rhythm. Between them, a hand-painted Ume branch: several blossoms in red, black boughs, calligraphic and fuller than the season might suggest. Early spring, just before the last of the snow.\u003c\/p\u003e\n\n\u003cp\u003eNestled inside sits the Kokeshi figure: a round head with a straight fringe, closed eyes in the Fuse-me style, a delicate smile, rosy cheeks. Along the side, a small hand-painted motif – a bud on a branch. The black hair crown sits flat, with a clean, defined edge.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEjiko-Kokeshi in the Yajiro tradition\u003c\/li\u003e\n  \u003cli\u003eBasket: natural wood base, Ume motif, Rokuro-Moyo bands in yellow, orange, red, and green\u003c\/li\u003e\n  \u003cli\u003eKokeshi figure: Fuse-me eyes, straight fringe, bud motif\u003c\/li\u003e\n  \u003cli\u003eWood: Mizuki (dogwood)\u003c\/li\u003e\n  \u003cli\u003eHand-turned and hand-painted by Hideyuki Sato\u003c\/li\u003e\n  \u003cli\u003eSigned by the artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n  \u003cdt\u003eHeight\u003c\/dt\u003e\n  \u003cdd\u003eapprox. 7 cm\u003c\/dd\u003e\n  \u003cdt\u003eDiameter\u003c\/dt\u003e\n  \u003cdd\u003eapprox. 7 cm\u003c\/dd\u003e\n\u003c\/dl\u003e\n","brand":"Hideyuki Sato | 佐藤英之","offers":[{"title":"Default Title","offer_id":64800697155933,"sku":"ST-EJIKOGR2","price":89.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/files\/hs-ejiko2-cover.png?v=1780142140"},{"product_id":"st-ejikogr5","title":"Ejiko-Kokeshi – Camellia and Chrysanthemum – Yajiro Tradition","description":"\u003cp\u003eA baby rests in its basket – sheltered, still, barely visible. The Ejiko form, originally inspired by the wooden carrying baskets in which children of the Tōhoku region were cradled during fieldwork, is here reduced to its emotional essence: protection, warmth, and a sense of being held. This Kokeshi variant has long been regarded as an expression of maternal care – and Hideyuki Sato carries that tradition forward with an unmistakable boldness of colour.\u003c\/p\u003e\n\n\u003cp\u003eThe bowl glows in deep orange. Across the outer wall, three hand-painted motifs spanning the cycle of the seasons: Ume branches in red and black – calligraphic, linear; a Tsubaki blossom in deep red with green leaves and a yellow centre; Kiku chrysanthemums in red and dark green, rendered with a broad brushstroke, almost painterly. At the upper edge, a Rokuro-Moyo band in red and green. Viewed from above, the bowl reveals its true face: wide concentric rings in red, orange, and green – turned, rhythmic, abstract.\u003c\/p\u003e\n\n\u003cp\u003eNestled inside sits the Kokeshi figure: a round head, closed eyes in the Fuse-me style, a delicate smile, rosy cheeks. The black hair crown bears red decorative blossoms along the hairline. From above: matt black, with a single red circle at the centre – reduced to the absolute minimum.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eEjiko-Kokeshi in the Yajiro tradition\u003c\/li\u003e\n  \u003cli\u003eBowl: orange ground, three motifs – Ume, Tsubaki, Kiku\u003c\/li\u003e\n  \u003cli\u003eRokuro-Moyo band at the upper edge: red and green\u003c\/li\u003e\n  \u003cli\u003eKokeshi figure: Fuse-me eyes, Yajiro hair crown\u003c\/li\u003e\n  \u003cli\u003eRokuro-Moyo rings from above: red, orange, green\u003c\/li\u003e\n  \u003cli\u003eWood: Mizuki (dogwood)\u003c\/li\u003e\n  \u003cli\u003eHand-turned and hand-painted by Hideyuki Sato\u003c\/li\u003e\n  \u003cli\u003eSigned by the artist\u003c\/li\u003e\n  \u003cli\u003eHandcrafted\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n  \u003cdt\u003eHeight\u003c\/dt\u003e\n  \u003cdd\u003eapprox. 6.5 cm\u003c\/dd\u003e\n  \u003cdt\u003eDiameter\u003c\/dt\u003e\n  \u003cdd\u003eapprox. 6.5 cm\u003c\/dd\u003e\n\u003c\/dl\u003e\n","brand":"Hideyuki Sato | 佐藤英之","offers":[{"title":"Default Title","offer_id":64803017687389,"sku":"ST-EJIKOGR5","price":89.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/files\/hs-eiko2-cover.png?v=1780143171"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0930\/3814\/9981\/collections\/hideyuki.png?v=1779727417","url":"https:\/\/punkeshi.com\/en\/collections\/hideyuki-sato.oembed","provider":"Punkeshi","version":"1.0","type":"link"}